That Old Black Magic
Words:Johnny Mercer
Music:Harold Arlen
Performed By:  Glenn Miller (1943), Frank Sinatra, Ella Fitzgerald, Marilyn Monroe, Louis Prima, Keely Smith
Copyright:Unknown
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A
A6
A7
A9
Amaj7
Bbmaj7
Bm7-5
C#7
Cdim
D
D6
D9
Dm6
E7
E7/6
Unknown
E7/9
Unknown
Em7
F#7/6
Unknown
F#m
F#m7/E
Unknown
Fdim
G#7
Gdim
Recorded by Glenn Miller*, 1943 (#1)


E7    A   E7/6  A    D9     A  E7/6  A 
That old black magic has me in its spell,

E7    A   E7/6  A    D9        E7  Fdim E7
That old black magic that you weave so well.

     E7  Fdim E7         D9      E7 Fdim E7
Those i - cy  fin - gers up and down my spine,

     A6  Cdim E7/9          Cdim      A6   Cdim E7/9
The same old  witch - craft when your eyes meet mine.


E7    A  E7/6  A    D9     A   E7/6   A
The same old tingle that I feel in - side,

E7    A  E7/6  A      D9          E7  Fdim  E7
And then that el - e - va - tor starts its ride.

     D9 Bm7-5 E7    Bm7-5  A9   Fdim F#m   F#m7/E
And down and down I   go; round and round I  go

D9     Dm6  Bbmaj7         Fdim          A    D9   A
Like a leaf        that's caught in the tide.


(Bridge:)

Amaj7     F#m      F#m7/E                G#7
I should stay away,       but what can I do?

            C#7              F#7/6   
I hear your name and I'm a - flame.

     D9                         Dm6
A - flame with such a burning desire
 
              Bm7-5    Fdim          E7
That only your kiss can put out the fire.


(E7)  A    E7/6 A   D9  E7   A   E7/6  A
For you're the lover I have wait - ed for,

     A7  Em7   A7      Em7     Gdim D6   A7
The mate that Fate had me cre - a - ted for.

    D9         D6               Dm6
And ev'ry time   your lips meet mine,
 
         D9  Bm7-5 E7   Bm7-5  A9  Fdim F#m    F#m7/E
Darling, down and down I  go; round and round I  go

D         D6             Dm6       Bm7-5      
In a spin,   loving the spin I'm in

           D9  Bm7-5 Dm6    E7     A
Under that old black magic called love.



*Fair's fair, so I'm crediting Glenn Miller here because he had a number 
one hit with it -- even though it's practically impossible for anyone who 
was alive in the middle third of the 20th century not to associate this 
song with the furiously up-tempo version by Louis Prima and Keely Smith 
(which, good as it was, just doesn't lend itself to duplication by a 
finger-style rhythm guitarist...nor indeed by any musician who hasn't 
ingested about 20 cups of coffee first.)
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